Thursday, 18 July 2013

Danger Ahead


After some considerably faffing about I am beginning work on Lonely Emily again, and hoping to finish it (well, first draft, anyway) within the next four weeks. But, there's a problem.
I've always been of the opinion that, as much as possible, my readers should basically have no idea what happens next. You can tackle this in a number of way - but over plotting isn't one of them. If you sit down and carefully plot out a storyline it will, by the nature of the process, be a logical plot - a progression from one action to another leading to an inevitable final conclusion; predictable, in other words. But life isn't like this, and books shouldn't be either. If an agent/publisher wants a synopsis, they'll have to wait until I finish writing the book - because, in a very real way, books plot themselves - I just take notes.
One key thing I do when writing is to create little pools of quicksand in the narrative. So, just when the plot is rattling along nicely I drop in something completely out of the blue that throws everything off track. In Super Maxwell and the Burning Boys this very large patch of quicksand was a character by the name of Trevor Smethurst - a completely unpredictable super-intelligent T-Rex, who, suddenly, and entirely unexpectedly (even for me) joined forces with Maxwell's nemesis, Titus Mamble.
What will come of this relationship? I've really got no idea, but it will be interesting finding out!
I've done something similar with Lonely Emily - the last few lines in the narrative I wrote before moving on to something new (and a about a third of the way through the book) follow:
  
‘What do these words mean, Frank?’ Mrs Smythe’s words stirred Sarah out of her thoughts, and she found they were at the gate to her home, Mrs Smythe’s strong fingers pointed at the undecipherable scrawl beneath the carving of the bear.  ‘I know they’re not Russian.’

‘No, not Russian, no no,’ Mr Frank pushed open the gate.  ‘Come through please, is very late, yes?’

‘But what—‘

‘Is very old, Mrs Smythe, very, very old words, yes?’  The old man stared at her, his face unreadable in the darkness, his eyes glittered as if they themselves were filled with their own stars.  ‘Miss Sarah she is tired, and her cat it must be fed, yes?’

'But of course,’ Mrs Smythe smiled apologetically at Sarah.  ‘Come along, Sarah, I have a nice spare room—‘
 

'What do the words mean, Mr Frank?’ Sarah asked suddenly.

 ‘I do not think this is the time, Miss Sarah, I think, yes, quite soon yes, that soon it will snowing be—‘

 ‘What do they mean?’ Sarah insisted.
 

The old man sighed, and turning placed his fingers on the stick letters that looked like no letters that Sarah had ever seen.

‘Theses words they have been here for time before time,’ Mr Frank replied, his voice low, seeming to move from the darkness like it was the shadows themselves speaking.  ‘Have always been here at Bear House, your see?’  Mr Frank sighed.

‘These words,’ he said ‘They say ‘Sarah Gray’.’


Quicksand. This one patch is very deep - and (without giving too much away) I only have a very vague idea why Sarah's name is on a gate that is so old it is virtually petrified, in a language older than Russian ... and there is the adventure and the thrill of writing. There's danger ahead, and I can't wait to wade through the quicksand...

...and hopefully come out of the other side!

Tony 

Monday, 11 February 2013

Resurrecting an old friend

The good news is, I've started writing again ... But not quite what I expected to.
I have started writing The Resurrection Bureau again - this is one of the many projects - along with Lonely Emily, The Tell Tale Boy and Mabel Maybe - which I started writing and then kind of ran out of steam. I'm sure a lot of writers have projects like this, but The Resurrection Bureau was always an idea which kept nagging at me to get in finished. It is also (rarely for me!) a stand alone story. Beginning, middle, end, no sequel - so that's very appealing, considering the hundreds of characters and plot lines that are involved in writing the next Super Maxwell book, The Crimson King. So, between now and July 1st I am going to try my damnedest to get The Resurrection Bureau finished - even though (at the time of writing) I don't actually have an end for it!
I've also entered it into the 2013 Northern Writers Awards. And they expecting you to finish things (!), so hopefully that will compel me to pick up my pen and start writing on a cold Monday morning - rather than pick up a book and start reading (currently reading A Clash of Kings, by the way, highly recommended).
This could be a disaster of course, but this is a blog about writing, no necessarily about being a successful writer, so it should at least be interesting disaster.
More news soon, keep the faith!
Tony

Friday, 30 November 2012

Destination Mars


It has been - more or less exactly - a year since I finished Super Maxwell 3, The Isle of the Dead, and lost my publisher. Over the last 12 months I've struggled to write some other stuff, never really quite achieving what I'd hoped, and, to be honest, thinking about what I'd lost by no longer writing about the adventures of Maxwell, Billy, Dr Arcania, Juggernaut, and all of those characters and places I fell in love with.
Well, after a year out I've decided to once again return to Maxwell's world - no, I don't have a publisher, and yes I do have three effectively unpublished book sitting in my desk drawer, but writing is, essentially at best folly, and probably closer to madness than anything else - and in the end you've just got stand square and do what you believe in. And I believe in Maxwell Jones.
So in January I will start work on Super Maxwell 4: The Crimson King. This will be by far Maxwell's most ambitious adventure, and will see him returning to Mab (the ruined home of the ancient gods) on a rescue mission, then on to London (though a very different London from what you may know) and finally to Mars to meet at last the mysterious Crimson King.
It will take me a good two years to write The Crimson King, and in the meantime I will be working hard to get a publisher for Super Maxwell 1, 2 and 3 - so realistically it will be at least 5 years before you sit down to read the first page of Super Maxwell and the Crimson King. But one thing I can absolutely promise you - it will be worth the wait.
Tony

Thursday, 31 May 2012

Another swift about turn - straight into the clouds

Yes, I have finished my new play, Dead Funny, and No, I haven't returned to writing Lonely Emily.  It's the lure of the sun, I'm afraid, but I will be starting Emily again soon, with the intention of finishing a first draft by the end of June (always full of good intentions and bad deadlines, that's me!).  But first I had an idea for a short story, which I will print in full here when complete.
In the meanwhile, here's a little snippet. The story is called "I Wish I Could Fly" and it's about - well, probably not what you think it's about...

Tony

I Wish I Could Fly


‘I wish I could fly.’
            I look up from the bright black eyes of the tiny little bird in my hands.  Granda sits on his deck chair in the tiny, cold shed, he has his favourite pigeon, King Charlie, in his hands, fat and content and white and grey, and I can’t see his eyes under the perfect white of his flat cap.
            For a minute I’m not sure he has spoken at all.  At our side through chicken wire a dozen pigeon burr and purr filling the air with the warm, dry smell that only smells of pigeons and nothing else at all in the universe.  Outside it is raining, the noise of the drumming rain as loud as if we were standing in it, but Granda’s shed is clean and cold and bone dry.
            Then Granda looks up and smiles, his cat green eyes shining from a brown face that is nothing but wrinkles and scars and teeth as brown as conkers.  He holds up King Charlie, and lets him go.  The big fat pigeon flutters across the little room and lands on its perch with a comfortable shiver.
            ‘Would you fly away, Granda?’ I ask slowly.
            Grandpa lifts his mug of Bovril Plus to his lips.  I don’t know what the Plus is, but it is an amber liquid that made my eyes water when Granda told me to sniff it.  Granda drops it in his Bovril as generously as someone putting cream in their coffee.  Before he drinks he smiles again.
            ‘Where else would I want to be?’ Granda replies.


Friday, 25 May 2012

Sunshine and blisters

I have finished my new (well, new-ish, heavily rewritten "old" play) Dead Funny, despite the lure of that strange orange thing hanging in the weirdly discoloured blue sky. I'm now going to have a bit of a barbie break, have a toast to Queen Liz and then return to writing Lonely Emily on June 6th.
Who said I'm not organised?
Tony

Tuesday, 24 April 2012

Back to the past


I have finished the first half of Lonely Emily, and moved on to rewriting one of my old plays which I never finished, and hit a ... er ... slight snag.  I discovered the play - originally called The Man Himself and now renamed Dead Funny - was on floppy disk.  This wonderful piece of 20th Century technology is now as redundant as a pencil - more so, you don't have to download a pencil - but luckily a friend of mine had a piece of kit that saved my bacon and got my play onto that lovely piece of 21 Century tech - a memory stick.
My advice, stick with a pencil - and keep your fingers crossed that pencil sharpeners never become redundant.
Tony

Wednesday, 22 February 2012

It's just an allusion


I haven't blogged for a while as I have busily writing (the curse of the writer is that you have to write stuff, sadly) but I am now at the half way point of Lonely Emily (formerly Emily Alone and Lilly Alone). I was trying to get a first draft in the bag by the end of February, but unless I suddenly discover a time machine (unlikely, but not impossible) that probably isn't going to happen now.
It's a bit odd writing a book when you don't have a publisher, but oddly liberating too. Original Emily (alone/lonely/Lilly) was aimed at the under 12s - now, it's moved more towards my usual readership, 12-15 year olds, which means I can make it very, very scary - which is fantastic!
Part of the reason it has taken me a little longer to write is that I decided, as it was aimed at older readers, to be a bit more experimental, and add a some literary allusions to Charlotte Bronte's brilliant Jane Eyre - which I haven't read in over 20 years, so I was forced to read again. Believe me, it's not a chore, buy that book and read it, you'll thank me.
While Jane Eyre had a mad woman in her attic, my character, Emily Crow, has something far, far worse lurking in her attic...
Tony

Wednesday, 25 January 2012

Lonely, but not alone

After struggling a bit with general post-Christmas can't-be-bothered-ness I have started writing again. My aim is to put the new book into the Northern Writing Awards, and hopefully get a bit of support (but mostly to give me a goal, now I don't have a publisher). The book is now (probably) called Lonely Emily, and is aimed at a slightly older age group than I had originally intended, and will therefore be a LOT more scary!
What has inspired me most to start writing again is the news that my old playwrighting mentor Peter Straughan, along with his late partner Bridget O'Connor, has been nominated for an Oscar for his screenplay for Tinker, Taylor, Soldier, Spy. Peter helped me write my first play, Surf City, which indirectly led to getting my first book published, so I am very grateful to him for his support and guidance in those early days.
And it's nice to know that the good guys make it!
Tony

Thursday, 5 January 2012

Feeling Earnest

You could say the last few weeks have been a bit tricky.
After dissolving my contract with my publisher (more a matter of common sense than choice) and then managing to pick up another publisher, I have now managed to lose that publisher.
To misquote Oscar Wilde: "To lose one publisher, Mr Kerr, may be regarded as a misfortune; to lose both looks like carelessness."
I was, frankly, a bit fed up and considered throwing in the towel. But then Christmas came, I had a bit too much to drink and eat, got sick, got well, watched some good telly, watched some terrible telly, read The Wind in the Willows and A Christmas Carol, and watched a lot of Laurel and Hardy, and felt a bit more optimistic.
So, I go into 2012 determined to pick up my pen and do better. I don't know if Maxwell or Emily Alone will find a publisher in 2012, but I am certain that I should not give up - to quote old Oscar again:
"The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for."
I've known what I was here for - to write stories full of adventure, fun and humour - since I was five years old ... and I'm not about to stop now.
Happy New Year!
Tony

Wednesday, 7 December 2011

Lilly lives

Have just confirmed that Lilly Alone will be published as a limited edition first edition by Chapter First in 2012 - I'll be signing the contract later this week. They are very keen to get the book into print, so it will be a fairly rapid process - as soon as I have some more news I will let you know.
Maxwell, as I have mentioned before, is having a year off - more news on his adventures soon, fingers crossed ... in the meanwhile Lilly and Sarah, and their cats Sampson and Chewy are preparing for a very, very scary adventure - you have been warned...
Tony

Wednesday, 23 November 2011

Two Lonely Girls

I have started work on Lilly Alone, and so far, so good - it will, of course, be a while down the line before you can read it, but here's a bit of a taster ... the first 200 words or so.
It's a little bit scary ... and it gets scarier!
Tony

Every night as darkness fell the terrible noises rose up through the house, and Lilly Cresswell lay in bed, frozen with terror.
During daylight the large house was a wonderful place, full of light, and happiness and toys for nine year old Lilly to play with. In fact she had so many toys that Lilly rarely left her room, but she did not mind this at all; and besides, Mrs Crow the housekeeper had told her many times that her health was delicate and she must be very careful to stay out of the sunlight.
So Lilly would sit in the dappled light of her drawn curtains in her large room, and though she could barely remember the last time she had left the room, and though she missed her parents very much, and sometimes it did seem that they had been away overseas forever, Lilly was very happy with her dolls, and toy boats and planes, and doll’s houses (she had five) and her wonderful books.
And, of course, she was not alone. She had Samson, her long-limbed black cat with its streak of silver fur that shot like a lightning bolt from between its pointed ears, down its back to the tip of its tail.
Samson lay at her feet now, curled into a ball, the silver streak a question mark in the darkness, as the terrible noise grew nearer and nearer and louder and louder...

Tuesday, 22 November 2011

Goodbye Mabel, Hello Lilly

My work on the National Novel Writing month has halted, as I have been offered a contract by a publishers to write a new book, Lilly Alone. There's not much I can tell you about Lilly Alone - it's in its very early stages - except that it is a ghost story, and, if all goes well, you should be seeing it within the next 12 months.
Mabel Maybe will have to wait a bit longer, but, fingers crossed, Lilly might pave the way for getting Maxwell 3 published, and I might finally get the chance to get some of these other stories written too!
More nonsense soon!

Tony

Wednesday, 2 November 2011

Pratchett and the distant siren call of 1K

Hit 971 words for Mabel Maybe today - according to the National Novel Writing Month website this means I'll now be finished by February 11, 2012 - I have to wonder about the science of this (and admit that I'm cheating, and have no intention of writing 50,000 words). So I'm nearly, but not quite at that 1,000 word count quite yet - I blame Terry Pratchett (am reading Snuff, his superb new book) and my slightly relaxed frame of mind as I approach my traditional mid-November forest holiday.
More nonsense tomorrow!
Tony

Tuesday, 1 November 2011

Nano-Nano (Write)

I have decided to jump start my writing again by joining National Novel Writing Month. Today I (kind of) wrote 288 words - which, by their calculation, means I will be finished by April 12, 2012. Never mind, I shall crack on, and let you know how I get on. If it's something you fancy trying yourself go to: http://www.nanowrimo.org/ - I am "maxwellsdad" (I really am!) follow my slow (or fast, if I rise above the 288 word count) descent into madness.
Tony

Friday, 21 October 2011

Germs, Crusades and giant spiders

I am quite ashamed to say that I have not written another word of Trevor and the Time Thieves since last you checked in. There are a number of reasons for this, partly I've been very busy in my day job doing a big research project; partly because I have madly formulated the plot for Mabel Maybe and the Slow Children (now involving giant spiders), and as a a consequence have come up with an idea for a second Mabel book - Mabel Maybe and the Machineries of Odd - but mostly because of my birthday, and my cold.
I was hit by cold on my birthday and have written nothing since. Partly because I've been very tired, but mostly because my son bought me the DVD boxset of Crusade, and I've been lying in bed sipping Lemsip and watching it. When, of course, I should have been sitting at my desk, sipping Lemsip and writing Mabel/Trevor.
It's the curse of the boxset, but, all things being equal, I will have something for you to read next week. Don't despair just yet, time travel is a tricky mistress, and Trevor does have the added worry of accidentally destroying all of time and space now, alongside his very real concerns about running out of tomato sauce.
Tony

Wednesday, 19 October 2011

1 year older, not a day wiser

Today is my birthday, and as a special treat here's a chance to read the opening page of my newest project, a new book, 'Mabel Maybe and the Slow Children'. It is, well, a bit unusual - Blade Runner for the under 12s, with genies - would be a good description!
Happy birthday to me!
Tony Kerr

Mabel Maybe and the Slow Children
by Tony Kerr

Imagine one day you woke up on a train and you could not remember one single thing that happened to you a moment before you opened your eyes.
That is what happened to Mabel Maybe.
Then how, you might think, if she could not remember anything at all, could Mabel Maybe remember her own name? Did she have a suitcase with her name on it? No, Mabel Maybe had only the clothes she wore – a black dress, black stockings and black shoes. Did she, perhaps, have a letter, which told her that her name was Mabel Maybe and that exciting adventures lay ahead? No, not at all. Generally speaking exciting adventures tend to just happen, and people, generally, don’t send you a mysterious letter telling you they are going to happen.
This is what did happen.
She opened her eyes and looked around a rocking wooden train carriage, and before she knew she was going to do so she opened her mouth, and with a voice she had no memory of ever hearing before, said:
‘My name is Mabel.’
And a voice from the far side of the carriage replied, ‘Mabel? Maybe.’
It was then that Mabel Maybe noticed that in a seat opposite her sat a small and scruffy dog. The dog might have once been white, but had either been through the washing machine a few too many times, or (more likely) had been in the bath tub too few times. The dog was called Gene.
Mabel Maybe knew the dog was called Gene because the dog fixed her with a dirty stare and said, quite clearly in a deep and rough bark: “My name is Gene.”
After that things started to get a little strange.

Friday, 7 October 2011

Trevor and the Time Thieves - Part 2

3.

‘Oh no!’ snarled Trevor. ‘I don’t flipping believe it!’
‘Well, there’s a nice greeting,’ said the small figure in the green space suit in front of Trevor. He leant forward on his wooden rocking chair, and pulled the suit’s helmet from his head, revealing a wide, freckled boy’s face framed by curling yellow hair, ‘How did you even know it was me?’ asked Bob Colchis.
‘I didn’t,’ Trevor replied, pointing. ‘I was looking at that dump, not you, dragon breath.’
The boy climbed down from the rocking chair, his feet clicking with every step. A more observant person than Trevor would have noticed the strange knobbly shapes that grew from every inch of the walls, ceiling and floor; shapes that matched exactly the shapes on the bottom of Bob Colchis’s boots. Trevor, however, had not even noticed that he was floating in mid-air, and as Bob stood beside him and followed his pointed clawed finger out of the observation window to the blue planet below, he begun to wonder if he had made a very, very bad decision.
‘The planet Earth?’ Bob asked. ‘What’s wrong with it?’
‘Horrible place. Planet of the blinking apes,’ Trevor replied. ‘I hate it there. Why’ve you brought me here, dragon boy? I was all right where I was!’
‘You weren’t all right where you were, Trevor—‘
‘Yes I was! I had chips!’
‘No you weren’t Trevor,’ Bob replied patiently. ‘Those men were just about to kill you—‘
‘Thicko! Clerics don’t kill people. Don’t you know nothing?’
‘They weren’t Clerics.’ Bob had an overpowering urge to smack Trevor’s head against the spaceship’s observation window. Bob was a Maltrusion, and though he looked like a boy he could transform himself in a moment into a fierce twenty-foot high dragon. He was, as you may guess, extremely short tempered, and the combination of Trevor, a bad temper and deep space was not a good one. ‘They were the wizard’s men. They were trying—‘
‘Oh, you’re not still on about that, are you?’ Trevor interrupted. ‘Look, I got you your Ring of Argos—‘
‘Argo,’ Bob corrected.
‘—I dropped you home, and even let you have a bite of my chocolate bar, so that’s us square, dragon breath. Just drop me at the nearest civilised planet and go on your way without me.’
Bob didn’t quite know where to start. True, Trevor had saved him from the wizard Aeoson and his soldiers, and had transported him back home to Virporta Island. He had not, however, given Bob even a sniff of his chocolate and though Bob felt he should be gracious, he could not help but feel that Trevor had been a pretty unwilling saviour.
‘Trevor, I made pledge to find the missing pieces of the Key of Argo,’ Bob began, ‘and I believe I’ve found—‘
‘What’s that?’ Trevor interrupted, pointing at a large wooden dial on the wall.
‘That? That’s the date and time. I’ve travelled far into the future to find you Trevor—‘
Trevor interrupted him again. ‘Is that right?’ he asked without looking from the clock.
‘Yes, it’s right. This is a wooden ship, the most advanced in the 101 Realms,’ Bob replied, ‘Wooden clocks are accurate to one millionth—‘
‘Oh, you pillock!’ Trevor screeched, spinning around and reaching for Bob’s throat … But before his clawed fingers could close around the Maltrusian, Trevor vanished.

4.

‘Yaaahhh!’
‘Aaghh!’
Trevor leapt on Dr Arcania and suddenly the world went BBOOOIIINNNGGG! And somehow he was bouncing head over heels down a hill. He came to a jarring halt at the foot of a massive fir tree, and looked around.
Just feet from where he had come to a halt the hill dropped dizzily into a deep ravine. He was somehow in a pine forest, and, irritatingly, had somehow lost one of his shoes.
‘Get up!’ barked a voice.
Trevor looked up to see Dr Arcania marching through the forest towards him, the Handsome Beast’s goldfish bowl held in front of him.
‘I’ve lost my shoe!’ Trevor exclaimed, springing to his feet.
‘To the Weavion devils with your shoe! Grab the goldfish bowl before Mamble follows us!’
‘My Mum’ll go nuts if I don’t find that shoe!’ Trevor began sniffing at the trail he had made through the forest floor. ‘What do you mean, grab the goldfish bowl?’
‘Just grab it!’ bellowed Dr Arcania. He thrust the goldfish bowl at Trevor and, despite his natural disinclination to take orders, Trevor grabbed it on impulse….
BBBOOOIIINNNGGG!
… and found himself falling down the throat of the ravine with the screeching chimpanzee at his side.
‘Where’s my tie gone!’ bellowed Trevor, grabbing the goldfish bowl.
BBBOOOIIINNNGGG!
Trevor landed on his bottom with a thud. A second later Dr Arcania landed beside him in an undignified heap, the Handsome Beast swearing profusely as water slopped out of his bowl.
‘Grab the bowl!’ exclaimed Dr Arcania, scrambling to his feet.
‘No!’ snapped Trevor.
‘If we can get to the eastern side of the island I have a portal there that can get us as far as Mars and then … What did you say?’
‘I said “No”, coconut breath. Get the bananas out of your ears for two seconds and you might be able to hear me.’ Trevor grinned at Dr Arcania’s shocked expression. ‘I’m not going to Mars with you, I’m not going anywhere with you. I want to go back home and I want to go now!’
Dr Arcania’s lips moved but only an outraged squeak escaped from his mouth.
‘He certainly told you,’ came the magisterial voice of the Handsome Beast.
‘Shut up you!’ barked Dr Arcania.
‘Charming!’
‘Don’t you know what has happened here, you idiot boy? Titus Mamble is loose! Shades have taken over the island! We have to get this thing—‘ he waved the Handsome Beast’s bowl in front of Trevor’s face, slopping even more water over its sides ‘—off this island before Mamble, or Jake Silex, or the Shades or the Long Men catch up with us! Otherwise—‘
‘It’ll be the end of the world, and everyone will be slaves, or zombies, or smelly primates, or blah de-blah de-blah.’ Trevor let go a raspberry and sprang to his feet. Dr Arcania stepped back in alarm. ‘You might have to save the world Hairy Mary, or whatever your name is, but I don’t. What I’ve got to do is get home for my dinner and then do my homework.’
Dr Arcania was staring at the small t-rex, his mouth hanging open. ‘Your … homework?’
‘Oh yeah, I don’t have to do my homework, do I? The school blew up! Cool!’
‘I don’t think you have quite grasped the gravity of this situation, Killian,’ said Dr Arcania in a strained voice. ‘Shades are roaming free for the first time in over seven thousand years. The village had been destroyed, the island has been evacuated, and there is a very good chance that very, very soon Long Men will escape this island and bring about the apocalypse—‘
‘Have you seen my ruler anywhere?’ Trevor interrupted, patting his pockets agitatedly. ‘I definitely had it in school this morning.’
‘Your ruler!’ screeched Dr Arcania. ‘Who cares about your stupid ruler, boy! This world is about to be destroyed!’
‘It’s a Monkey Master Blaster ruler. You can’t get them anywhere.’ Trevor looked at Dr Arcania’s apoplectic expression and sighed. ‘Look, Dr Chimpy, the world isn’t going to end. It never does. Someone will come and save us. The island will be okay. This stupid world will be okay. All the Long Men and Shades will get blown up, or evaporated, or sent into another dimension, or something like that. That’s what always happens.’ Trevor patted the dumbstruck chimpanzee’s hand. ‘A hero will save us, Dr Chimpy, that’s what always happens. Now, you going to help me find my ruler, or what?’
Dr Arcania shook his head and blinked several times. Had this boy just called him Dr Chimpy?
‘No one is going to come and save us, Killian,’ said Dr Arcania. ‘All of the heroes are dead, boy.’
‘That is where you are quite wrong, doctor.’
They both turned at the sound of a voice, and their eyes met glinting steel. Mr Vim’s ivory teeth turned into a grin. In his hand he held a blue ruler with a cartoon of a monkey firing a gatling gun on it.
‘Hoy!’ bellowed Trevor. ‘That’s my—‘
BBBOOOIIINNNGGG!
‘—ruler bum face!’ Trevor lowered his claw, which he had been pointing at a rather startled pigeon.
He looked around. They were hurtling through the air, the treetops of the Black Woods just visible through thick smoke hundreds of feet below them.
‘Why doesn’t this bumming Eternal Engine just take us to Mars, banana breath!’ Trevor bellowed over the roar of the wind.
‘Because it’s not the Eternal Engine that’s transporting us, you under-evolved idiot! The fish bowl is a homing device for the nearest space portal, It is triangulating its position jump by jump, but is only capable of transporting us short distances!’
‘Well that was a stupid idea, wasn’t it?’
‘How dare you! That was my idea!’
‘There you go then!’
‘What do you mean?’
‘Monkey madness, that’s what I mean! Not a single one of you chimps has got brains enough to brush your fur!’
‘Don’t call me a chimp, you dinosaur!’
‘Take that back!’
‘Never! Dinosaur! Dinosaur!’ Lizard face! You Jurassic berk!’
‘I’ll smash your face in!’
‘Yaaahhh!’ screamed Dr Arcania suddenly. Trevor was impressed by the impact of his threat, until he looked up. ‘Arrgghh!’ he screamed.
Mr Vim was swooping towards them, his grim face set into a snarl, batwings spread wide at his back.
BBBOOOIIINNNGGG!
‘What the hell kind of Wizard of Oz flying bloody monkey bloody INSANITY is this!’ screeched Trevor.
They were still freefalling towards the treetops, but now they were much closer, and Mr Vim had changed from a snarling bat monster into a small black dot high above them.
The dot grew larger, and in what seemed like mere seconds they could see the glint of Mr Vim’s steel visor as his massive wings drove him down towards them.
‘That’s contrary to the laws of physics,’ murmured Dr Arcania as Mr Vim moved closer with eerie speed. ‘No one can move that fast.’
‘Get us out of here you hairy bum hole!’ Trevor howled.
‘Grab the fish bowl!’
Trevor’s clawed hands moved towards the grimy goldfish bowl with its rapidly diminishing reservoir of water. Time seemed to slow. He heard Dr Arcania yell, “NOW!”, but it came out elongated and slowed down somehow, ‘NNNNNOOOOOWWWWW!’ Trevor saw his own face reflected in the bowl, and the little orange fish inside looked around at him, and stuck out its tiny pale pink tongue.
And then it all vanished. The fish, the bowl, Dr Arcania’s hairy hands all disappeared.
Trevor hurtled towards the treetops, and far above him he saw a great black bat swoop across the sky, two dangling monkey feet hanging below.
‘Well, that’s just absolutely flipping typical, isn’t it?’ grunted Trevor, and he smashed through the treetops and was enveloped by thick black smoke.

5.

Trevor opened his eyes and looked up at the trail he had smashed through the branches above him.
For a moment a confusion of memories crowded in his mind. He had been kidnapped by Titus Mamble and transported to Dr Arcania’s lab, and had managed to escape...But no – that had happened over ten years ago. He had managed to escape Mamble, and from there…
‘Oh no!’ Trevor gasped, and he sprang up, then let out a shout as a bolt of agony shot through his head. ‘You stinking dragon-breathed dog faced chocolate stealing rat bag!’ Trevor howled, waving a fist at the smoke wreathed sky.
He was back on Virporta Island; back in the time warp which had trapped him on Earth for over a year; back with Titus Mamble, Aeoson the Wizard, the Brundhahz, Boshers, Shade and Long Men.
And, unless Trevor was very much mistaken, today was almost certainly the very last day of his life.

To be continued...

Thursday, 6 October 2011

And for tomorrow's menu ... autocanibalism

Trevor and the Time Thieves Part 2 will be online tomorrow morning (or evening, depending where you are in the 101 Realms) which will see Trevor return to Virporta Island at a very unfortunate time ... Titus Mamble has returned, the Shades are free, Long Men have destroyed the Village and there is not a drop of tomato sauce to be had anywhere. How will our hero survive? Find out soon...
Tony

Tuesday, 4 October 2011

On hiatus for retooling

Unfortunately, through circumstances beyond my control, Super Maxwell 3 no longer has a publisher. These are tough times for publishing, as for everyone else, so I can't really have any hard feelings for my former publisher. It is very disappointing, of course, as it means that you definitely will not be seeing The Isle of the Dead in 2011. But as someone wiser than me once said (I think it was Yogi Bear) you only lose when you give up - so Maxwell is not dead, just not quite able to make it to your door just yet.
As a consequence of this I am not able to deliver Trevor and the Time Thieves to you before Halloween - but, as a bonus, it's going to be longer ... and hopefully better, a kind of mini-book for you. That's cool, right?
So do keep tuning in on a Friday to read more of Trevor's adventures, dispatches may be a bit spotty, but Trevor is still as alive, and irritating, as ever, and is not about to keep his big Killian gob shut.
Tony

Friday, 30 September 2011

Trevor and the Time Thieves - Part 1

1.

Halruga is a planet so distant that even the most powerful telescope could not even see the galaxy it is in, never mind find the little purple, gold and blue planet itself. But, if you know how to get there, it is a place that is literally just around the corner.
Halruga is best known for its Surf Decagon, ten years of glorious sunshine on its five thousand miles of golden beaches, and is quite rightly called the friendliest place in the 101 Realms. However, if you could leave your home right now and somehow travel in an instant to that distant world you would find a very different place. The planet is in the middle of the Jicker, a period of six year where its lands and seas freeze, and the native Halrugans, amphibians who spend the summer selling, beer, fruit and watches on the thousands of miles of beaches, disappear into their cities beneath the frozen seas and spend their winters farming the seabed and harvesting kelp vodka. Every city on the land is covered in metres of thick snow, and those cities are carefully maintained by robots, known as Gritties, who protect and repair holiday homes and bars during this period of deep freeze, in preparation for another ten years of summer.
There are three things you can be absolutely certain of during the Jicker – that no one could possibly live in this frozen land, that no one could cause any damage to the heavily protected frozen cities, and that no one could possibly get into any sort of trouble.
But then again, you have not met Trevor Smethurst.
Trevor looks like a small tyrannosaurus rex dressed in furry trousers, coat and boots – he is in fact a type of alien called a Killian dressed in furry trousers, coat and boots. He is also a Good Man, a sort of teenage superhero, though if you had ever met him you would find it very difficult to think of him as a hero, super or otherwise.
Trevor a genius; he is perhaps the greatest genius to have ever lived in the history of the entire universe. He is also an idiot; almost certainly the biggest idiot in all creation. Trevor invented a device called a Chunk, an astonishing wooden machine that could travel to any point in space and time, and then transported himself to Halruga, just as the Decagon ended and the Jicker began, and flattened the Chunk’s battery.
Trevor has been trapped on Halruga ever since, and the three thing most people would not think it possible to do in this frozen world, Trevor had done easily. He had found it quite easy to live in the frozen world, as he immediately found a deserted, (relatively) unprotected city chocked full of frozen and packet food. He had caused a considerable amount of damage during this time, reprogramming the small Grittie robots to knock together buildings, burn furniture and cook him food as the snow slowly covered every inch of the world. You can work out from this that Trevor will be in a considerable amount of trouble when the owners of these hotels and bars return – but Trevor couldn’t even wait for that unhappy day, and the policemen currently trying to batter down the door he is barricaded behind are certainly not about to wait for the big summer thaw to arrest him.

2.

‘Open this door in the name of the One God.’
‘Shan’t!’
‘Open this gods’ damned door immediately or I’ll break it down!’
Those words gave Trevor pause. Clerics didn’t swear, did they? Never mind. ‘Go ahead and try,’ Trevor smirked, ‘You dumb chimps!’
Trevor sat on a large ornate chair, from which miles of wire, chips, servos, engines, and bits of robots grew. As he sat, disinterestedly watching the door shudder under the onslaught from the Clerics, there was a loud “ping!” and a compartment opened in the arm of his chair. With a crow of delight Trevor pulled out a steaming plate of fish and chips, licked his slavering reptilian lips, and then paused.
‘Oi, Sparky – where’s the tomato sauce?’ Trevor snapped.
A small robot, which looked like a cross between an upturned bucket and the innards of clock let out an apologetic “bloop” noise and said – in a voice that Trevor had reprogrammed to sound almost exactly like his own stubborn nasal snarl: ‘Ain’t none left, leather chops.’
Trevor swore loudly and profusely, using several words which were both deeply offensive and illegal in most civilised parts of the universe, and then slumped back in his chair. He could put with a lot of hardship, he thought to himself entirely without irony, but another two years trapped on Halruga with no tomato sauce was one hardship too far.
Trevor sprang out of his chair and stamped across to the shuddering door. Clerics, he knew, were a kind of private army-come police force, which could be hired for a substantial donation to their brotherhood. Clerics guaranteed to catch any wrongdoer, and, as their motivation was spiritual rather than political, financial or legal, they never gave up. It was said that if you wanted to escape the Clerics you needed to make sure you were very good at hiding, and that you were certain you would live for at least a thousand years, because they simply never gave up.
That was the bad news. The good news was that Clerics rarely killed anyone, and never handed over their prisoners over to the authorities on the prison planets of Carcer, Platon or Mamertine, preferring instead to take them back to their home planet, Tio, for a lifetime of penitence and prayer. Trevor had neither the time nor the inclination to spend the rest of his life praying – not while there was chocolate to eat, sunshine to enjoy and surfboards to be ridden – but if he allowed the Clerics to take him to Tio (and, looking at the way the door was shuddering and buckling under the Clerics’ onslaught Trevor guessed that he didn’t have much choice in the matter) then the Chunk would start to work again. Tio was a lush green planet where the Clerics had vineyards that covered entire continents. Trevor could never quite work out why priests brewed quite so much wine, but it was immaterial, once he could get the Chunk planted in the fertile soil of Tio he was certain it would begin working again almost immediately, and he could teleport himself to anywhere and any when in the whole of creation.
The only slight problem he might face was convincing the Clerics to allow him to keep the Chunk. He paused in front of the buckling door and pulled the Chunk out of his coat where it hung, almost entirely forgotten, on a piece of twine around his neck. It was no good telling the Clerics it was of religious significance, or that it was a family heirloom – the first they consider blasphemy, and the second they would carefully burn before fitting Trevor out in an ill fitting monk’s habit. He wondered dimly if he could swallow it, and decided he probably could.
Trevor pulled the Chunk over his neck, held it delicately between thumb and forefinger, opened his massive tyrannosaurus jaws wide, and just wished he had even a tiny squirt of tomato sauce.
Just a second before the steel door smashed open and the heavily armed Clerics thundered in, and just a moment before Trevor stuffed his remarkable time travel device into his large mouth, the Chunk gave a loud beep, and said, in its inflectionless, robotic, and yet somehow still sarcastic, voice:
‘PRIORITY TRANSMISSION FROM THE AGENTS OF CHANGE. PREPARE FOR EMERGENCY TRANSPORT.’
And, without a bang, a flash or even an impressive special effect, Trevor vanished.

Part Two - in which we meet some old friends, and some large enemies, available on Friday, October 7